Walter Andersons

Walter Andersons

  • Permuted Tricolor series (launched 2017)
  • portables, rendered miniature (the 10 x 8s)
  • 2021 2022 recasts
  • Tricolor series (launched 2012)
  • Mural (begun 2008) 2008-2012
  • chromes. single color grounds
  • more casual. sexier, even. - exhibition [2003]
  • Binary Chromes - exhibition [2002]
  • Fool of the Eye - exhibition [2001]
  • full LTR: 48" formats - Exhibition [2000]
  • side show - Ten in One Gallery - small room [1999]
  • quiet - group installation/exhibition [1997]
  • Moreover the Same - exhibition [1997]
  • word documents - series
    • additional word documents - the German texts for Art Frankfurt
  • photocopies. white grounds. brown borders
    • sans text
  • New Paintings and Drawings - exhibition [1995]
  • The Uncomfortable Show II - Tough Gallery, Chicago. [1995]
  • Art Chicago - Ten in One Gallery booth [1994]
  • Official Pictures - group exhibition [1993] Ten in One Gallery
  • from two-person exhibition. Andersons/Burleigh [1993]
  • Profiles 1. Randolph Street Gallery. - group exhibition [1991]
  • crude thinking - exhibition [1991]
  • Woman and Monkey. -extended subject
  • small Mike Kelley - extended series
  • Dear act of painting - extended subject
  • Little Spanish Prison. - extended subject (after Robert Motherwell)
  • gray grounds. shadows
  • non-series examples
  • notes and clippings. black grounds
  • early examples. precursors
  • drawings
  • links
  • ...studios and spaces informally
  • [available for sale. contact the studio..][inventory will be refreshed periodically]
  • Contact
  • Bio
  • portables. rendered miniature
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sideways and inverted signs (Kline)
2015
acrylic on canvas
BUY
$3200
30 x 28 inches

The image that is rendered twice is an ink on paper drawing by Franz Kline. Intrigued that the drawing had visual power in other orientations, it is painted here 'sideways' (on edge) and 'inverted' (upside down. This is a "Tricolor' series work where I employed primary colors to activate a co-present ground/space. Along the way, I felt the ratios of the colors needed to change (something I rarely do) so the Yellow field was made taller. It's a very attractive painting. In 2021, I return to the source images for new paintings.

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